All paintings are shipped rolled in a secure mailing tube to ensure safe delivery (frames are not included).
Our highest quality product is the Giclee fine art prints on Premium Canvas. This museum quality print produces vibrant colours and is made to look like an original oil painting. Premium Canvas prints are initially offered as part of a Limited Edition series hand-signed by artist Kanwar Singh.
Extra 3 inches of canvas added to all sides to allow for stretching
Cotton fabric textured finish, all nature acid-free canvas
Clear UV protective coating applied to canvas
395 gsm Weight, 23 mil Thickness
Lab tested to last over 200 years without fading
Giclee fine art prints on Cold Press Bright Textured Watercolour paper is a cotton rag media with luxurious weight that delivers museum quality appearance. This paper has an extremely-high colour gamut and black density. Selected by the artist for its quality and the beautiful texture.
Textured Matte Finish
All nature acid-free paper
Opacity 98%, ISO Brightness 96%
Lab tested to last over 120 years without fading
Giclee fine art prints on Epson Enhanced Matte Paper is an un-textured bright, white paper which yields highly saturated images for a ‘painterly’ look.
Silky Smooth Finish, all nature acid-free paper
Thickness 10.3 mil, Basis weight 192 gsm
Opacity 94%, ISO brightness 104%
Lab tested to last over 80 years without fading
We offerFREEworldwide shipping on all orders over $100 Canadian dollars.
Paintings are shipped WORLDWIDEin a secure mailing tube with guaranteed safe delivery. The creation of all Fine Art prints are overseen by the artist Kanwar Singh to ensure high quality and superb colours.
Order Preparation Time
We require 1 week to prepare your order. This time is used to ensure your print meets our high quality standards. The Giclee fine art printing process we use offers the best colour accuracy for print reproduction and is considered the gold standard of the art print industry.
For canvas orders, extra time may be required for the application and drying of the UV and scratch resistant coating which will greatly extend the life of the canvas. Most people prefer to frame canvas prints without glass and this provides the necessary protection for glass free framing.
We are confident in the quality of our high quality prints and your satisfaction is 100% guaranteed. If for any reason you are not satisfied with your purchase, you may return it within 30 days of receiving the artwork for a full refund on the price of the item. Shipping charges are not refunded.
All prints must be returned to ArtofPunjab directly. Please email us at firstname.lastname@example.org prior to mailing a return to avoid additional duty charges. Prints must be undamaged and in the original packaging. If 30 days or more have passed since your purchase, we cannot offer you a refund or an exchange.
Upon receipt of the returned item we will process a refund and a credit will automatically be applied to your original method of payment. Any amounts refunded will not include the cost of shipping.
Sahibzada Ajit Singh Ji The eldest son of the tenth Master, Guru Gobind Singh Ji. In the prolonged siege of Anandpur in 1705, Sahibzada Ajit Singh displayed his qualities of courage and steadfastness. When, at last, Anandpur was vacated on the night of 5-6 December 1704, he was given command of the rearguard. As the besiegers, violating their solemn promises for a safe conduct to the evacuees, attacked the column, he stoutly engaged them on a hill feature called Shahi Tibbi until relieved by Bhai Ude Singh. Sahibzada Ajit Singh crossed the Sarsa, then in spate, along with his father, his younger brother, Jujhar Singh, and some fifty Sikhs. Further reduced in numbers by casualties at the hands of a pursuing troop from Ropar, the column reached Chamkaur in the evening of 6 December 1705, and took up position in a garhi, a highwalled fortified haveli (house). The attackers, their numbers since swelled by reinforcements from Malerkotia, Sirhind and from among the local Ranghars and Gujjars, soon caught up with them and threw a tight ring around Chamkaur. An unequal but grim battle commenced with the sunrise on 7 December 1705 in the words of Guru Gobind Singh’s Zafarnama, a mere forty defying a hundred thousand (lakh). The besieged, after they had exhausted the meagre stock of ammunition and arrows, made sallies in batches of five each to engage the encircling host with sword and spear. Sahibzada Ajit Singh led one of the sallies and laid down his life fighting in the thick of the battle. He was 18 years old at the time of his supreme sacrifice for his faith. Gurdwara Qatalgarh now marks the spot where he fell, followed by Sahibzada Jujhar Singh, who led the next sally.
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